Cityscapes, Country Roads #33

Like in Antalya, where George spent the night waiting for her flight to arrive, and, in the morning, finding her and saying hi.

The drive to Kemer reminded him of now Santa Monica, now Redondo Beach, now La Jolla, but with the sea on the other side. The other side of the car, the road, the other side of her. The sunrise side.

Palm trees and cargo ships. Past Kemer, over the hill and down into Çamyuva where a week of days and nights awaited him, her, them.

Days later, the excursion farther south along the Med. She said some millennia ago, Alexander the Great and his army camped right here. She would know. George just saw trees, rocks, sea. He saw her. Over the pass, down along the large, low greenhouses growing tomatoes. Finike. Over more mountains.

A boat launch in Kaş took them out to the submerged Greek ruins in Plexiglass-bottomed boats. They shared a snack on a tiny island in the half-shelter of a half-ruined closet-sized temple.

On the way back, they stopped in Demre for St. Nicholas church (under extensive remodel) where she prayed (for George’s soul, also under extensive remodel), and then they ate the best meal of the trip in an open-air cafeteria, set up to feed many bus loads of tourists daily.

Back in Antalya at the end of the week, awaiting clearance for takeoff, George looked out his passenger window and watched her flight climb high into the blue sky until it was just a speck. And then nothing.

George closed his eyes and remembered holding hands at the center of the Roman amphitheater in Myra. Her hair wisping in the wind. Her eyes glinting with the setting sun. Her luscious lips parting as she breathed the word, “No.”

Originally published November 24, 2024

Navigating a mocked spleen

Visit https://almostmeaningful.com/navigating-a-mocked-spleen | Reading Ulysses in Montana #120 | An oil painting in the style of Whistler of railroad tracks going into the distance. Two women stand on each side of the tracks, looking each direction.

Reading Ulysses in Montana #120

A lazy shot of Rose Law gave help to the sphinx-riddled face of Paris Hand in her hard protest, in press, in favor of the prime shoulder.

Paris told Mr. O her spleen was in his gasp–or grasp–whichever he preferred.

Mr. O sighed on his tiptoe a weak breath of fresh air. The mockery in Finland announced his gentle art with a sweep of his muse.

Loose. Loose literature is loud enough for Paris to protest in her youthful deeds. And the gate to the park had talent to spare.

Being with Georgette #20

Georgette is a river, she’s a river in the sky.

She rains. She runs off. She flows. She flows away.

She returns the next season, or the next year.

And I haven’t smoked a brisket for more than three months.

***

I answered my phone with a curt “Where are you now?”

“The ocean.”

“I hate the ocean.”

“He’ll be gone for three days.”

“You’ve been gone for three months.”

“Bring your barbecue grill,” she said and hung up.

***

A week later, the voicemail said, “Why didn’t you come? You are too hard on yourself. On me. He’s back. We’ll have you out for a weekend. He has a barbecue grill you can use.

***

Monica said, “Mom builds sand castles in the sky.”

“You have to build them somewhere.”

Monica wiped the barbecue sauce off her chin and said, “I’d build mine at the bottom of the ocean.”

“It’s as good a place as any.”

***

I gathered her umbrellas and put them in the garage. A season or two–or a year or two–will pass before she needs them again.

The cistern is full and can keep the herb garden irrigated in her absence.

There’s much to cook–much to eat–in her absence, and upon her return.

Time, temperature, and technique apply as much to rivers and sand castles as to culinary creations.

***

“You’re my moat,” she said once, and only once.

“I protect your sand castles in the sky.”

She didn’t answer. She pretended not to hear.

***

Georgette is a river, she’s a river in the sky.

She rains. She runs off. She flows. She flows away.

She returns the next season, or the next year.

And you never love the same Georgette twice.

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Being with Georgette #19

Do you like my tulips?

He’s gone out for his long walk along the river and left his laptop open for once.

I could set the record straight, but why spoil his fun. Or yours! Or mine too, when it comes right down to it. I read these little stories and they are so much fiction that I forget I’m the Georgette he’s writing about. He has such a fascination for anyone with that name!

When I correct the inaccuracies in his stories, he just tells me I should make my own story series called Being Georgette. His other Georgette already took a shot at that and gave up. Apparently I was dominating her stories too.

I’m really not what he paints me to be, but I’ll play along as long as they say it seems to be helping him.

***

Some people ask me what it’s like to be the famous Georgette from his stories. I say I’m not the Georgette from his stories. I’m my own Georgette, and am famous in my own right.

They always reply: “More like infamous.”

See how he manipulates things?

He’s the one with the secrets you wouldn’t believe. But you won’t hear any of it from me. I’m his protector. He lets enough of himself out through his hints and suggestive situations and somewhat naïve narration.

***

I’m not so flighty. I’m really not. But he’s such a challenge to be around. You don’t see him between the stories. That stubborn silence. That fixed stare. That lifelessness. You just want to scream to wake him up, and when all you get is that innocent, gentle smile, followed by: “What is it Georgette?”, all you can do is fly away as far and as fast as you can. I have my own life to live.

I return now and then. Not out of duty, but out of our deep kinship. I know him better than he knows himself. And he would probably say the same about me. At least he intimates that in his stories. Or maybe I just read that into his stories.

***

I’m sorry I don’t describe things like he does. How he turns a jar of pickles into the closest thing to a confession he’s made so far. For me a jar of pickles is a jar of pickles. I look around the kitchen here and can tell you about a knife, a refrigerator, a sink, and a flickering fluorescent light that he refuses to replace. I see a rack of drying dishes and a whole chicken thawing on the counter. He’d tell you he’s making chicken ballotine, but I swear he has no clue what that is. He just read it in a book somewhere.

You see, nothing interesting develops out of such descriptions for me.

I asked him about these descriptive tricks once, and he said he just writes what he sees when he closes his eyes and watches the movie unfold. He said sometimes a word is worth a thousand pictures.

I don’t see a movie when I close my eyes. I just see blackness.

***

My garden. I could tell you about my flowers. But for me, a picture is worth a thousand words, so you’ll have to make due with the picture of my tulips. Around here, they bloom in May. I prefer to be where they bloom in February. But here I am.

***

He knows things. What he lacks in people skills he makes up for in intuition. He says maybe his problem with people comes from what he intuits of them. I tell him I think he is right, but he suspects I don’t know what I’m talking about.

He knows I have a secret or two that I can never tell him. I feel him probing me, trying to provoke me through these stories. He doesn’t know how much it would kill him to the ends of the earth to know one thing especially, and that is why he will never know. And neither will you.

***

If he were writing this, he would have ended with that last sentence. I sometimes catch on to his literary tricks. But I’m not interested in being so dramatic.  When I finished my coffee on the front porch, he was just coming up the highway from the river. So I have a little time to sign off and wish you a good day.

Sincerely,

Georgette

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Reading Ulysses in Montana #597

The free parameters were no longer free, but they were cheap–cheaper by the dozen, or by the tens as spoken in metric-speaking countries.

Regaining solid footing, the feet entered into competition with the late-arriving souls, lost on their return from Machu Picchu, the Panama Canal having gone to the ball game for a brief tour of duty. Corresponding rules of particularly proper rank harmonized with the layer of crystal in the distal colon, around three o’clock in the evening. Injected seas into the parapets of offence caused plenty of trouble for the partial parameters differentiated from the colorful mutt on Saturday morning cartoons. Miraculous weather and innocent doubts abound in the outfield under the spectatorship of the Suez, at three o’clock in the evening.

Water stroked the shore with an isle of corn plantations until the plaster lost its buried knees aloft.

Reading Ulysses in Montana #8

Harold heralded the hounded mouth of Flemish faces, unresisting one idea for another.

Bunches of flowers bunched up in hunches of bananas laid bare by the hare of Haverstrom Circus–elephants included in carnal throstle. Morning nudged at begrudged judges of Bournemouth, and old men tendered their pennies for a roll of the dice. Ignorance to the contrary, the pastries bamboozled pure joints of mutton and sharp fibers of etymology as prim as a pram. Friars of gold and silver, that is. Warrants of opposite kinsmen singularly availed themselves of Woodcock gin, blowing their weekly salaries on austere humors of state, having come from softer climes.

Yellow stockings heralded Ginger’s memories of Harold, but Walloons thought better of it.

Reading Ulysses in Montana #83

Like I know the hairs on the back of my hand sticking up for the poor and downhearted railroad from the station at the end of time to the roundhouse of last year’s chaff.

Chalk walked into a bar and said, Hay, who put that bar there? Hay said Hey! out loud so everyone looked at it as it pointed slowly at the trailer full of hay making its way down the highway, the hay highway. Good grief laughed, but bad grief said, Good grief, why do you have to do that every time? There was total silence, like in a movie just before a bomb goes off. Then a bomb went off, and everyone–Chalk and Hay included–said Hay! we don’t know whether to call it good grief or bad grief.

Like I know Charlie would have a cow if Lucy jumped over the hay diddle diddle.

Reading Ulysses in Montana #663

Nailed precursors of empty foghorns frittered away their apple-a-day until the doctors went out of business.

Fog hats, on the other hand, footed the bill for a neck of pheasants in full throat with the day of deliberate deliberations coming regarding the mess in the courtyard, but the mess in the barnyard was left undiscovered until the country of travelers’ bourns bore fruit of the next generation. Migrations were up for grabs, but the gauntlets gathered garlands and laurels of canyons in their mighty fists, and furious boughs and frivolous cows emerged from their long winter of ecstasy with their dignity intact but their honor in tatters–according to the zebras, that is–but the optometrists had been delayed at the border, so one cannot judge too harshly.

Making amends brought amens to a close, and the tailor’s closed clothes closet bespoke for no one.

Reading Ulysses in Montana #426

Ample samples of unscattered ampules amplified the daily needs of a murder of crows counting black leggings in an ambush of lemmings.

Ginger said I am not afraid to forego standard punctuation. George said what. A dozen canaries harried the postman–having had to ring thrice four days in a row–on his way to the forum of hippos at the hippodrome of Hippolyte. Parasites persist in the effulgence at the intersection of civilization and culture in the coroner’s affair of lollipops and despair. Desperate measures call for time outs with four yards to go in a cloud of mighty dust mites coughed up in an ecstasy of gold, digging for a dozen lifetimes because the shipment of bean bags had run amok among the mockery of pigeons.

A game of corn hole notwithoutstanding, the judge declared Ginger the winner despite her collection of mispronounced punctuation, and George was sore amused.

Reading Ulysses in Montana #574

The tryst in Trieste was a treat for sore feet having walked across a frozen Lake Constance in a leaking row boat all along the watchtower.

At the end of the befuddled mud puddle of muddled mutants, Papa cast a line across the river and into the Garden of Eden. The observations of honored furniture became the operative activity in the days before all concern over and under the opposition to justice and rule of flaws in the architecture. Negligence was nothing compared to the complete cacophony of phony phone booths, wearing boots on the wall like a liquored up skunk in the outfield. Tongues of ice and bearers of curses angered the flavor of the month club with wounded conscience and tattered soles of their espadrilles.

Deliverance came with a fee, but the driver stalled at the on-ramp of destiny, and the furniture languished for all eternity.