Royal decanters dust the staircase

Visit https://almostmeaningful.com/royal-decanters-dust-the-staircase | Reading Ulysses in Montana #654 | Oil painting in the style of Hieronymus Bosch of an apocalyptic landscape with horses, a river, and night. A sword. A staircase.

Reading Ulysses in Montana #654

Amid the dust of a thousand horses, along the river to a thousand seas, within the night of a thousand virtues, Gumpy woke up and, clearing her dilapidated head, said I know what you want but I won’t give it to you.

Decanters of empty slights awaited Gumpy’s presence in the kitchen, but Christmas had come too soon and gone too late for it to matter to her or anyone else at that time of year. Mildred stopped Gumpy on the staircase and said where do you think you’re going. Gumpy walked away having not heard her sister–or at least pretending so.

The armor shone no more, and the round table was missing a leg. Gumpy wielded the missing leg as a sword of defiance and said no one else will pass. But no one else was around, so Gumpy was absolutely right. Mildred said put that thing down before you hurt someone.

Gumpy did not hear–or at least pretended so–for by then she had muddled her dilapidated head once more and dreamed of a million hyenas laughing at the dust of horses, rivers of seas, and virtues of darkest night.

Croupier stitches a cracked audit

Visit https://almostmeaningful.com/croupier-stitches-a-cracked-audit | Reading Ulysses in Montana #532 | Oil painting   in the style of John Singer Sargent of Humpty Dumpty sitting at a typewriter under a tree, beside a lake, with wine     bottles strewn around and pygmies dancing with joy.

Reading Ulysses in Montana #532

Better Burgundy picked up the shaky pieces and put Humpty back together again and again, lapped with smooth X-rays and candid sting rays.

Ravenous pygmies of Humpty’s past turned back the clock a day and a half with a buffer of pinned coils teeming like frogs on a green ruminant. Burgundy ruminated on expressions of forward marches, stubbing out the plumbing with chests of vital counterparts, denuded through many successions of coughing redactions.

False accounts aside, tumultuous spirits of altered saddles straddled Burgundy, Humpty’s bookkeeper, with duplicate die thrown straight from the hand of the riotous croupier.

Shaky pieces of Humpty’s future, walking on egg shells, ought to bequeath legacies of lions on deceived confessions, but devices of ravens and fears of sweet mockery marshalled the gentle cousin Bordeaux with assurances of plenty and aces of Burgundy’s potted wit.

Spackled schisms and tallies of grunge

Visit https://almostmeaningful.com/spackled-schisms-and-tallies-of-grunge | Reading Ulysses in Montana #160 | Oil       painting in the style of Edward Hopper of a crosswalk with one pedestrian in the middle of an abandoned city and the    traffic light is red. A tower.

Reading Ulysses in Montana #160

The tower halted with a good frown and opened the blinders to the second-to-last collar grinding its way along the crosswalk.

Across the way, rhythms of empty sounds grabbed Jewel by the heartstrings and plucked a merry tune despite three bad knees and an ounce of joint compound, compounded in a variety of variations. Her relations with the other half of the moon people were much better, but better than what, she would never know.

Jewel approached the goddess of the moon people atop the tower, but fortunes last only so long and the way to the flippant pancakes bespoke another force of followers altogether, whether they wore collars in crosswalks or not. Allowing for salaries of studious exhibitions and separate rites, excused examinations faltered farther than Jewel’s father could throw himself or the fleabag he rode in on.

Insignificant though it wasn’t, the tower followed the beacon of the shadow of light and lit a bonfire to dissolve all of Jewel’s loose-fitting encounters. And that was all before the light turned green.

Cold cinders of stalled wishbones

Visit https://almostmeaningful.com/cold-cinders-of-stalled-wishbones | Reading Ulysses in Montana #225 | Oil painting in the style of Georgia O'Keefe of a minimalist desert landscape with colorful flowers and a penguin

Reading Ulysses in Montana #225

Wiping leisure from the force of her argument, Richard’s brother asked Helena for the unadvised dance.

Engraved upon enraged repentance, kingdoms of foreign tears tear down the blinds of sappy mettle, stronger than the wailing of acquainted souls. But would he know what to do with it and when? Admired for remembering the miracles of candor, Molly told Helena when she could find the ashpit in question. The ashpit of Eden on the other side of the morning sunset.

Helena shrugged the shrug of eons and said what am I supposed to do with that. Richard took his dimensionless fleet to the clocks of Morocco while flowers bloomed in Molly’s deepest desires.

Familiar penguins assembled in distinctive lexicons, and their bizarre wishbones sent Richard and Helena and Molly to the brother of crystal innovations a week too late for anything innovative (or crystalline) to happen at all.

Outruns a furlong of vain filberts

Reading Ulysses in Montana #660

Frosted windows and flakes of corny filberts flooded everyone’s fantasies of how many furlongs at Ascot. Or was that Santa Anita?

Now whether or not Anita had anything to do with it, Andy could get the best of the situation by talking his way up the downspout. Anita bagged the cracked filbert shells and poured a boundary of apoplexy this way and that. Andy said swollen clocks fancied bigger heifers than that. Anita was livid with lipid dreams of strange heels. Andy lurched in his beggars dance the way Anita lunched with her heroic luggage, frightfully aware that the imagination of devils, lunacies aloft, were more cumbersome than cucumbers.

Frosted flakes of flooded windows left blood on the tracks of Andy’s vanity and capers in the cracks of Anita’s soul, yearly poets betide.

An armistice of leopards with room to spare

Visit https://almostmeaningful.com/an-armistice-of-leopards-with-room-to-spare | Reading Ulysses in Montana #439 | Oil painting in the style of van Gogh: A leopard in a bowling alley with the pins holding firm against the balls. Night. Irises.

Reading Ulysses in Montana #439

The armistice came like a leopard in the night, looking whom he might bum a candle off of for an overly atmospheric Sunday night bath.

The leopard-skin file could only drive one way, so the head of the machinist union put it in reverse to defile the smooth edges. The elephant-skin armor felt the blows of the leopard-skin defile, and all at once the lunatics stopped running the asylum and returned to their hotel suite where they locked the door and kept out any kleptomaniacs from the asylum in the next town over.

Silly gourds assembled to take the place of the lunatics, but the asylum staff had already returned to their posts running the asylum, and they kept out any and all usurpers. The asylum was forevermore theirs for the keeping. The midnight sun blessed the underside of the earth and left the weeping to the shiny bowlers, fresh off a packet from Mexico City.

“If only those lunatics could see us now!” the bowlers said. The pins parted and no one was left to pick up the spare.

Tin orchards of relinquished fossils

Visit https://almostmeaningful.com/tin-orchards-of-relinquished-fossils | Reading Ulysses in Montana #359 | Oil painting in the style of Edvard Munch of Mary singing a song of six pence in a cavern by the sea. Jollity and whimsy abound. Yellow.

Reading Ulysses in Montana #359

Believing not being enough anymore, the shaken fossils stirred the slurred speech of empty peaches from deepest Hungarian revolts.

Whether the particles laughed longest or not, only Mary knew, but bowls of sleep and examples of rendered ironies gave Mary enough courage to don the iron strings and contemplate the solidity of pure fate. Marvin said he would have gone about it entirely differently, but destiny unraveled into bellows of rosemary, and Mary changed her name to Rose Marie to spite Marvin and his boring antics. Attics of gentle mavens turned maidens into blushing goddesses with ravens of jollity and necessity.

But the stirred fossils were still not warm enough to believe in, so the peaches delighted in the rhapsodies of Rose Marie’s darkest Hungarian dreams.

Free for 5 Days: BROTHER FOUND (Novella)

I created a new edition of my novella BROTHER FOUND on Amazon. It’s available in both paperback and eBook, and the eBook is available for free for 5 days starting Sunday, September 27!

Click the image above or this link: BROTHER FOUND

It’s a fast-paced thriller full of geographical puzzles and a race against time to save one brother from financial ruin and another from a life of crime.

From the blurb: Danny Meeks is four months away from paying off the heavy debts he acquired remodeling an investment property when the financial crisis hit. He expects to move his pregnant wife and step-son out of their trailer and into a house by the time his wife delivers Danny’s first child. But all these dreams are threatened when Danny’s long-lost brother, Joey, arrives with a large bag of cash seeking sanctuary after a botched bank robbery. Joey brings information that might lead them to their deceased father’s lost fortune–or it might lead them into more trouble than they ever dreamed as law enforcement agents and Joey’s criminal confederates close in. Danny yields to his family heritage of thievery to protect his brother and preserve his dreams against adverse circumstances. Danny knows all such actions come with a price. He’s not sure just what the price will be, but he is about to find out.

Vigilant biscuits on phantom doilies

Visit https://almostmeaningful.com/vigilant-biscuits-on-phantom-doilies | Reading Ulysses in Montana #22 | Oil painting in the style of Guillaume Apollinaire of a vigilant biscuit on the Dover shore.

Reading Ulysses in Montana #22

The vigilant biscuit plunged into the depth of her soul, feasting on the tepid tendrils of woe begotten woe.

Givers of lint and white corpuscles could not bear the fight of the freight strewn along the golden shores where the lions played at dusk, so the biscuit sang songs of lilting grace to save face in the place where her soul longed for not one but two lace curtains–her windows much too large for doilies.

Doyle could give over to a biscuit, but giving over to a curtain was asking too much. Too much toil and trouble. Oil and oodles. Foil and football well into the sixth overtime. A tie would mean much for her soul with respect to her memories of Doyle, her fantasies of the biscuit, but where a tie should she find at this hour of the dark night of the soul?

Her soul. The soul of Dover flitting up the capitol steps a half step ahead of a buttered biscuit.

Doused apologies for stainless insurgency

Visit https://almostmeaningful.com/doused-apologies-for-stainless-insurgency | Reading Ulysses in Montana #309 | Oil    painting in the style of Picasso of a clown at night on the second floor of a flower shop with a balloon in the shape   of a chicken

Reading Ulysses in Montana #309

An exhibition of clowns littered the doorway of Kerstin’s flower shop, each clown with a bouquet pinned to her lapel, a bouquet that could squirt water with a squeeze of a bulb in a pocket.

Kerstin shooed the clowns from her borne but they resisted cruciferously. “I’m all out of broccoli,” she said. They resisted metallurgically. “I’m all out of stainless steel,” she said. They resisted obstreperously. “I don’t know what that means,” she said. A light lit up her flower shop–Malmö’s finest–and the clowns resisted luminously. “That’s the cleaning gent,” she said. “He ain’t helping you one bit.”

The exhibition of clowns piled higher against her door, blocking Kerstin’s entrance. She looked up at the window to the apartment above the shop and thought about the chicken in the oven. Roasting. Roasting in the pan, drenched with butter and broth. Kerstin brushed more butter on the bird, shut the oven door, and looked at the full moon outside her apartment window.

The full moon doused her with a stream of water from the bouquet on its lapel with a squeeze of a bulb in its pocket. Then it smiled and said, “What have I become, my Swedish friend?” Kerstin said, “Go away.” And it did, but it took the roasted, buttered chicken with it all the way to the dark side where no eclipse could save it from the heart of the sun.